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The Greco Story

Greco is one of the earliest “lawsuit” guitar makers in Japan. They have been making guitars since the early 1960's primarily at the Fijugen Gakki plant but Kanda Shokai and Matsumoku factories were also used at various times in their history. Most of the 1960's guitars were original models, but in the early 1970's, they got into
making replicas of original Fenders and Gibson’s. At first, they didn't have the hardware to make really good, exact replicas, but by 1974 or so, they had the correct-style hardware to match their excellent craftsmanship, and they put out some killer replicas. Also, Greco made more clone models of original Fenders, Gibson’s, Rickenbacker’s, Gretsch’s, Zemaiti’s, lbanez, and other brands, than all other companies combined. They beat Tokai to the lawsuit race by at least 5 years.
Eventually, as the company found that the demand for their popular replicas grew and that the size of the production was getting too large, they relinquished their Stratocaster division to Fender Japan in late 1981.
By 1982, Greco Stratocasters became Fender JV Stratocasters, then later MIJ and CIJ Stratocasters, made by the same guys who made the Greco "Sparkle Sound," "Spacey Sound " and "Super Real" Stratocasters
from 1977-1981.
Greco still retained the business of selling great Gibson clones and other brand knockoffs of extraordinary high
quality up until 1988. After that, the pressure to “cease and desist” production of copyright-infringing designs took its toll on Greco and they decided to change their headstocks and logos to avoid a confrontation with the American manufacturers. The revised logo lasted for about two years until 1990 until Greco stopped production. The name carried on a few years later on Chinese made guitars - so caution is the word here.
The originals are becoming extremely rare and the demand is getting greater by the month for these guitars.
The most collectible by far are the “Super Real”  " Super Real Project Series " and “Mint Collection” (made from 1981-1988) models, which were made to amazing likeness to original Fenders and Gibson’s.

 Greco guitars are fairly easy to date . The letter that (may) begin the serial number corresponds with the month of production, and the next 2 digits tell the year. For example: E804235 would be a May, 1980 “Super Real” model, production number 4,235. Sometimes, Greco didn’t use letters and only numbers, and even separated the first digit from the rest on occasion. When the first digit is separated, it is likely a 1980’s model; the separated digit corresponding to the year of the 1980’s in which it was made.

There was also the odd un numbered guitar and detective work is required to date these such as Logo design etc.

The Super Real guitars are from the EGF serial number series and early mint collection quickly identified by an open O on the Greco Logo on the earlier ones and the flowerpot logo on the later versions. There are of course other differences.

The Greco name has in the past few years been revived and guitars bearing the Greco Logo of high quality are once more being produced and in Japan. Apart from that I do not know by whom but having trialed a 335 clone it was quite impressive and jus needs 25 years to settle in.

Our Opinion:

The guitars of the copy era mid 70's and upward were great with the top of the range models such as the Super Real and Mint Collection offering fantatsic value for money and sound investment prospects. The Project Series guitars eg: RS - are amongst the highest quality manufacture of any guitar anywhere.

 Beware though of some of the lower end models with not so great electrics . Also later guitars using the Greco name but made in China.

 

Useful Greco Links - Click to Open-

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Wikipedia Greco

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Greco Black Beauty Custom 1987
 
Fujigen at its Best
 
Black guitars are a nightmare to photograph but we think we have done a reasonable job here. This is a 1987 Greco Black Beauty solid body fitted out with Screamin 82 pickups and featuring the long tennon neck joint. Lovely braided vintage wiring and the desired flower pot headstock logo reserved exclusively for the Mint Collection guitars.
Full Custom Specification - 100% original and 9/10 condition with no dinks or donks - Just a bit of pick scratching on the scratch plate where it should be.
 
Lovely example of this classic Les Paul made to Fujigens exacting standards.
 
 

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Greco EG 500 Sunburst

1979 and Spotless

This is the more traditional colour for a Greco Les Paul and very handsome it is too. There are quite a few variations with Greco guitars even within model numbers and this one is the highest of the Specifications for the model . Full Custom trim - Solid Mahaogany body with maple cap , Long tenon joint PAF clone pickups etc. Fujigen at its best .

This one is in remarkable condition and cannot be faulted . Not a mark anywhere and the gold is as it was the day it came out of the factory . No signs of use whatsoever and probably the best we have seen. Now we have it - Tee Hee -  Comes in the original case.

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1976 Greco Slimline Telecaster
 
Gneco Logo -
 
Not just one of the cleanest 76 Slimline Tele's we have seen but probably one of the cleanest vintage axes we have seen -  Fantastic and virtually mint condition-100% original and unmolested with hardcase.
 
This is an exact copy of the Fender Slimline of the time complete with the amazing Seth Lover designed humbuckers and pearloid scratch plate. A true vintage classic which not only looks exactly like the original but which sounds and feels like it as well. The only difference ?  The extra zero on the price tag. The Gneco logo ended in 1976 in favour of the now more familiar Greco logo.
 
Vintage guitars of this quality and condition are a sure fire investment as well.

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Greco RS-90 Super Real

 

Slimline Archtop – Fujigen 1988

 

What can you say about this . An incredibly made and rare guitar from Fujigen 1988 with an equally incredible tone across the range – Probably amongst the very best I have ever heard on any guitar.

 

The build includes beautifully figured top, back and sides with a real Tortois shell binding back and front and on the neck edge and headstock – MOP and Abalone fret inlays – Grover tuners as standard – Bone nut – Rosewood Fretboard and a bunch of amazing little details that make this scream quality. In fact about the best we have seen .

 

As well as being a Super Real Project Series guitar it is also from the cherished Mint Collection with the flowerpot Logo and split O . If you could afford one of these you had probably aready made it .

 

There are some long ago filled screwholes around the bridge pickup, the pickguard is missing and the Goldware has some tarnish but otherwise its nearing mint.

 

A very special Guitar .

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